He had put his hand on Freddy's shoulder in the Tattler photograph to establish that he really had told Freddy those insulting things about the Dragon. Or had he wanted to put Freddy at risk, just a little? He wondered.
The certain knowledge that he would not knowingly miss a chance at the Dragon reprieved him.
"I'm just about worn out with you crazy sons of bitches," Graham said aloud.
He wanted a break. He called Molly, but no one answered the telephone at Willy's grandparents' house. "Probably out in their damned motorhome," he mumbled.
He went out for coffee, partly to assure himself that he was not hiding in the jury room.
In the window of a jewelry store he saw a delicate antique gold bracelet. It cost him most of his paycheck. He had it wrapped and stamped for mailing. Only when he was sure he was alone at the mail drop did he address it to Molly in Oregon. Graham did not realize, as Molly did, that he gave presents when he was angry.
He didn't want to go back to his jury room and work, but he had to. The thought of Valerie Leeds spurred him.
I'm sorry I can't come to the phone nght now, Valerie Leeds had said.
He wished that he had known her. He wished… Useless, childish thought.
Graham was tired, selfish, resentful, fatigued to a child-minded state in which his standards of measurement were the first ones he learned; where the direction "north" was Highway 61 and "six feet" was forever the length of his father.
He made himself settle down to the minutely detailed victim profile he was putting together from a fan of reports and his own observations.
Affluence. That was one parallel. Both families were affluent. Odd that Valerie Leeds saved money on panty hose.
Graham wondered if she had been a poor child. He thought so; her own children were a little too well turned out.
Graham had been a poor child, following his father from the boatyards in Biloxi and Greenville to the lake boats on Erie. Always the new boy at school, always the stranger. He had a half-buried grudge against the rich.
Valerie Leeds might have been a poor child. He was tempted to watch his film of her again. He could do it in the courtroom. No. The Leedses were not his immediate problem. He knew the Leedses. He did not know the Jacobis.
His lack of intimate knowledge about the Jacobis plagued him. The house fire in Detroit had taken everything – family albums, probably diaries too.
Graham tried to know them through the objects they wanted, bought and used. That was all he had.
The Jacobi probate file was three inches thick, and a lot of it was lists of possessions -a new household outfitted since the move to Birmingham. Look at all this skit. It was all insured, listed with serial numbers as the insurance companies required. Trust a man who has been burned out to buy plenty of insurance for the next time.
The attorney, Byron Metcalf, had sent him carbons instead of Xerox copies of the insurance declarations. The carbons were fuzzy and hard to read.
Jacobi had a ski boat, Leeds had a ski boat. Jacobi had a three-wheeler, Leeds had a trail bike. Graham licked his thumb and turned the page.
The fourth item on the second page was a Chinon Pacific movie projector.
Graham stopped. How had he missed it? He had looked through every crate on every pallet in the Birmingham warehouse, alert for anything that would give him an intimate view of the Jacobis.
Where was the projector? He could cross-check this insurance declaration against the inventory Byron Metcalf had prepared as executor when he stored the Jacobis' things. The items had been checked off by the warehouse supervisor who signed the storage contract.
It took fifteen minutes to go down the list of stored items. No projector, no camera, no film.
Graham leaned back in his chair and stared at the Jacobis smiling from the picture propped before him.
What the hell did you do with it?
Was it stolen?
Did the killer steal it?
If the killer stole it, did he fence it?
Dear God, give me a traceable fence.
Graham wasn't tired anymore. He wanted to know if anything else was missing. He looked for an hour, comparing the warehouse storage inventory with the insurance declarations. Everything was accounted for except the small precious items. They should all be on Byron Metcalf's own lockbox list of things he had put in the bank vault in Birmingham.
All of them were on the list. Except two.
" Crystal oddment box, 4" X 3", sterling silver lid" appeared on the insurance declaration, but was not in the lockbox. "Sterling picture frame, 9 x 11 inches, worked with vines and flowers" wasn't in the vault either.
Stolen? Mislaid? They were small items, easily concealed. Usually fenced silver is melted down immediately. It would be hard to trace. But movie equipment had serial numbers inside and out. It could be traced.
Was the killer the thief?
As he stared at his stained photograph of the Jacobis, Graham felt the sweet jolt of a new connection. But when he saw the answer whole it was seedy and disappointing and small.
There was a telephone in the jury room. Graham called Birmingham Homicide. He got the three-to-eleven watch commander.
"In the Jacobi case I noticed you kept an in-and-out log at the house after it was sealed off, right?"
"Let me get somebody to look," the watch commander said.
Graham knew they kept one. It was good procedure to record every person entering or leaving a murder scene, and Graham had been pleased to see that Birmingham did it. He waited five minutes before a clerk picked up the telephone.
"Okay, in-and-out, what do you want to know?"
"Is Niles Jacobi, son of the deceased – is he on it?"
"Umm-hmmm, yep. July 2, seven P.M. He had permission to get personal items."
"Did he have a suitcase, does it say?"
"Nope. Sorry."
Byron Metcalf's voice was husky and his breathing heavy when he answered the telephone. Graham wondered what he was doing.
"Hope I didn't disturb you."
"What can I do for you, Will?"
"I need a little help with Niles Jacobi."
"What's he done now?"
"I think he lifted a few things out of the Jacobi house after they were killed."
"Urnmm."
"There's a sterling picture frame missing from your lockbox inventory. When I was in Birmingham I picked up a loose photograph of the family in Niles 's dormitory room. It used to be in a frame – I can see the impression the mat left on it."
"The little bastard. I gave permission for him to get his clothes and some books he needed," Metcalf said.
" Niles has expensive friendships. This is mainly what I'm after, though – a movie projector and a movie camera are missing too. I want to know if he got them. Probably he did, but if he didn't, maybe the killer got them. In that case we need to get the serial numbers out to the hock shops. We need to put 'em on the national hot sheet. The frame's probably melted down by now."
"He'll think 'frame' when I get through with him."
"One thing – if Niles took the projector, he might have kept the film. He couldn't get anything for it. I want the film. I need to see it. If you come at him from the front, he'll deny everything and flush the film if he has any."
"Okay," Metcalf said. "His car title reverted to the estate. I'm executor, so I can search it without a warrant. My friend the judge won't mind papering his room for me. I'll call you."
Graham went back to work.
Affluence. Put affluence in the profile the police would use.
Graham wondered if Mrs. Leeds and Mrs. Jacobi ever did their marketing in tennis clothes. That was a fashionable thing to do in some areas. It was a dumb thing to do in some areas because it was doubly provocative – arousing class resentment and lust at the same time.
Graham imagined them pushing grocery carts, short pleated skirts brushing the brown thighs, the little balls on their sweat socks winking – passing the husky man with the barracuda eyes who was buying cold lunch meat to gnaw in his car.
How many families were there with three children and a pet, and only common locks between them and the Dragon as they slept?
When Graham pictured possible victims, he saw clever, successful people in graceful houses.
But the next person to confront the Dragon did not have children or a pet, and there was no grace in his house. The next person to confront the Dragon was Francis Dolarhyde.
The thump of weights on the attic floor carried through the old house.
Dolarhyde was lifting, straining, pumping more weight than he had ever lifted. His costume was different; sweatpants covered his tattoo. The sweatshirt hung over The Great Red Dragon and the Woman Clothed with the Sun. The kimono hung on the wall like the shed skin of a tree snake. It covered the mirror.
Dolarhyde wore no mask,
Up. Two hundred and eighty pounds from the floor to his chest in one heave. Now over his head.
"WHOM ARE YOU THINKING ABOUT?"
Startled by the voice, he nearly dropped the weight, swayed beneath it. Down. The plates thudded and clanked on the floor.
He turned, his great arms hanging, and stared in the direction of the voice.
"WHOM ARE YOU THINKING ABOUT?"
It seemed to come from behind the sweatshirt, but its rasp and volume hurt his throat.
"WHOM ARE YOU THINKING ABOUT?"
He knew who spoke and he was frightened. From the beginning, he and the Dragon had been one. He was Becoming and the Dragon was his higher self. Their bodies, voices, wills were one,